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• Computer / Software >Audio Editors

• When purchasing through an authorized reseller, or when receiving an iZotope product as a gift, you will be provided with a serial number in the following format: SN-PRODUCTNAME-XXXX-XXXX-XXXX-XXXX To add this product to your account launch Product Portal and press the +.
• I got the early upgrade at a low price, so I took the step from Izotope RX 1 to RX 2 Advanced, at the about the same price as it would cost to buy Izotope RX 2 from the start. I really like the adaptive noise reduction, it does really help when the background noise changes, and gets the job done a little quicker.
• In other words, there are some tools in RX which are very useful in non–musical applications, yet have less immediate use in music production. IZotope themselves sort the modules according to function, into Restoration, Production and Utility groups. Three: The Magic Number. Late in 2013, iZotope released version 3 of RX.

Some dialogue problems can’t be fixed. Distortion, errant sirens, wind gumming the microphones—it’s impossible. The truth is, with iZotope RX, you can fix all sorts of previously impossible problems. Here are six tips to get you out of a dialogue bind. In other words, there are some tools in RX which are very useful in non–musical applications, yet have less immediate use in music production. IZotope themselves sort the modules according to function, into Restoration, Production and Utility groups. Three: The Magic Number. Late in 2013, iZotope released version 3 of RX.

New in RX5 is an Instant Process option that can really help to speed up repetitive tasks.

The latest version of iZotope’s best-selling restoration software adds powerful new modules, as well as a Post Production Suite bundle aimed at film and TV applications.

It seems that along with Christmas, another regular annual event we can rely upon is a new version of iZotope’s RX Audio Editor software. Incorporating an ever-expanding collection of sophisticated tools for repairing, restoring and enhancing audio files, RX has now reached version 5, with both standard and Advanced editions available. The company have also released a new flagship product called the RX Post Production Suite; as the name implies, this not only includes RX5, but also the Insight metering system, RX Loudness Control and RX Final Mix products as well. The idea is to provide a full suite of tools that cover all aspects of audio post-production including audio repair, mixing and final delivery.

Insight

I reviewed the impressive Insight audio analysis and metering plug-in (v1.01) in the March 2013 issue of Sound On Sound, so will cover it only briefly here. Insight is included in the Advanced version of RX5 as well as the Post Production Suite and, in brief, provides a customisable loudness and true-peak meter, with support for channel formats up to 5.1 and presets for the international BS.1770 loudness standard variations. It also includes stereo and surround-sound ‘sound stage’ displays, spectrum analysers, and both 2D and 3D spectrogram modes. The display window can also be customised to show or hide the different display options as may be required for different applications or preferences.

The latest version is 1.04, but the only significant changes compared with the version I reviewed, apart from a few small bug-fixes, are to the supported platforms and plug-in formats. For example, Insight now supports Mac OS 10.11 and Windows 10, with host support for Pro Tools 12.3, while DirectX support has been dropped.

RX Loudness Control

RX Loudness Control works as an offline AAX AudioSuite plug-in in Avid’s Media Composer and Pro Tools (v10 to 12), or as an Audio Extension for Adobe’s Premiere Pro. Its functionality is derived in part from the loudness-normalisation algorithms within Insight and the Loudness Modules in RX4/5, but it also has features that go beyond the capabilities of both. In essence, the loudness parameters needed to comply with a particular programme delivery specification — such as the integrated loudness target level and maximum true peak value — are dialled into RX Loudness Control, after which the programme mix (in any format from mono to 5.1) is then rendered through RX Loudness Control.

The audio is analysed (faster than real time) and any transgressions are then displayed to allow the user to manually amend the mix to resolve any detected issues. Alternatively, the audio material can be corrected automatically and transparently through the plug-in’s built-in compression and peak-limiting tools.

RX Final Mix

Designed to simplify and speed up the task of mixing audio, the RX Final Mix plug-in combines automatic dynamic EQ and true-peak limiting tools and is aimed primarily at video editors and for use in TV and film audio post-production. The plug-in can be employed on stems or the final mix bus, supports all surround formats up to 7.1, and is designed to help control and blend multiple mix stems.

Final Mix incorporates dynamic EQ that is optimised to increase the intelligibility of dialogue.

The dynamic EQ is particularly useful in helping to maximise speech intelligibility through intelligent un-masking: pushing down any parts of the mix spectrum that might obscure important speech frequencies, moment by moment. It is equipped with six parametric bands, plus high- and low-pass filters, any of which can be set manually or for automatic programme-dependent operation. The latter has both compression and expansion options with user-adjustable thresholds set independently per band. Different parts of the audio spectrum can therefore be attenuated or emphasised and, when skillfully applied, this provides improved dialogue clarity by reducing any masking elements from background music and effects. It can also increase the dynamic impact of special effects, for example by raising the low-frequency region during explosions, and the like.

Moving on to the limiter feature, this can be optimised either for transparency or low latency, with three different sound-character options (clear, smooth or thick), and the ballistics are intelligently programme-dependent. The true-peak limit threshold is adjustable, and a separate gain slider allows the average volume to be increased by up to 20dB, if required.

The other main element of Final Mix is a simple-to-use limiter.

RX5 Advanced Audio Editor

The core RX audio restoration package is already such a powerful and versatile system that it might seem there is little room for practical improvement with each new generation. However, the Advanced version of RX5 included with the RX Post Production Suite manages to squeeze in a number of new workflow enhancements, better default settings, and closer integration with Avid’s Pro Tools — and even a few new processing modules, too!

The dedicated De-Plosive module is a new addition to RX5 Advanced.

The headline feature for the Advanced version of RX5 is a brand new De-Plosive module, which, as its name implies, is designed to remove distracting plosive sounds from dialogue tracks. This is claimed to be an “industry first” (although CEDAR came up with their DeThump algorithm over 15 years ago..). Another all-new module for RX5 Advanced is the versatile Signal Generator, which can create a variety of precise test tones with different wave-shape options, filtered noise, profanity bleeps, and so on. The Leveler and Ambience Match modules from RX4, which are only available in the Advanced version, have also been updated and improved. The Leveler module analyses a dialogue or vocal track and works out an intelligent clip-gain envelope to de-breath, de-ess and generally smooth out the voice level, while the Ambience Match plug-in automatically constructs a consistent background ambience track from whatever ambience already exists, which is particularly useful when rebuilding heavily edited dialogue or working with ADR tracks.

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A welcome addition to RX5 Advanced is the new Signal Generator module.

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Both the Standard and Advanced versions of RX5 benefit from a new Instant Process tool button, which has been added to the bottom of the main audio display window. This is a semi-automatic version of the Spectral Repair module, and it works much like the ‘magic eraser’ tools found in photo-editing programs. If the Instant Process button is pressed, a problem sound element can be highlighted with the usual shape selection tools, and instantly attenuated, de-clicked, faded or replaced (as pre-selected in a configuration box). This feature provides a much quicker means of removing lots of clicks, for example, and really speeds up repetitive tasks.

Another new module provided in both versions of RX5 is a greatly improved EQ module, now called Corrective EQ. This features six separate parametric bands, plus configurable high- and low-pass filters (with four slope options). The module can also be switched between ‘analogue’ or ‘digital’ modes, with usefully different filter characteristics. A new Module Chain facility is also provided in both versions, and this allows any number of different RX5 modules to be loaded in a specific order, configured, and then operated automatically in sequence with a single click to perform complex audio processing tasks in a single pass.

Now rechristened Corrective EQ, RX5’s equaliser has been considerably improved.

There are a number of other worthy enhancements to this latest version of RX, starting with a subtly improved toolbar layout, with bigger icons and more obvious navigation and zoom controls. Retina screen support has been added for Macs, giving sharper text and graphics. And when working with long audio files, the Marker and Region search facilities have been improved to make finding required sections quicker and easier. Over 60 new ‘problem-oriented’ presets have been provided for the various modules, too.The Module Chain feature allows multiple RX processes to be combined into a single macro.

Impressions

I’ve been an enthusiastic user of iZotope’s RX for a very long time now, and find it an extremely capable audio restoration platform — although it takes some persistence and diligence to properly understand and master its sophisticated processing tools. RX5’s new De-Plosive module is a very welcome addition to the already quite comprehensive suite of tools, and it is highly effective. I also like the improved Corrective EQ module very much, while the new Instant Process feature is handy for simple repetitive spectral fixes. Another useful new facility for more complex repetitive work is the Module Chain, which allows a string of processes to be performed in one click. Experiments with the Ambience Match and Leveller modules showed them to be easy to use and very effective, too, and I can see them becoming popular in audio post-production for film and TV.

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Moving beyond RX5 Audio Editor, the full-featured RX Post Production Suite is a very useful collection of tools for the film and TV post-production, world where loudness normalisation is now a crucial element. The Insight metering and Loudness Control plug-ins make it very straightforward to conform with the appropriate loudness standards, either while mixing or to correct pre-recorded material. The Final Mix plug-in is the only element of the suite that was entirely new to me, but I was impressed with the capabilities of its dynamic equalisation and limiter processes — although such powerful tools require great care, as they can wreck a mix more easily than improve one!

Alternatives

CEDAR’s Cambridge Suite offers a similarly comprehensive collection of audio restoration tools that are more advanced and easier to use, but at a much higher price and less oriented towards film and TV post-production.

Pros

• Loudness normalisation made easy with Insight’s metering and Loudness Control’s analytical and corrective facilities.
• Mix enhancement through RX Final Mix dynamic EQ and limiting tools.
• New De-Plosive processing module.
• Greatly improved Corrective EQ module.
• Module Chain and Instant Process features speed up repetitive tasks.

Cons

• Tools this sophisticated and capable will never be cheap!

Summary

A comprehensively equipped package of audio management, restoration and enhancement tools, now incorporating a Post Production Suite aimed at the film and TV market.

information

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Authorization

When you first download and install RX 5 Audio Editor, it will be in Trial mode. After 30 days the product will go into Demo mode.

Authorization is required to disable both Trial and Demo modes.

Trial mode

For the first 30 days after RX 5 Audio Editor is opened or instantiated, RX 5 Audio Editor will run in Trial mode. Trial mode offers the full functionality of RX 5 Audio Editor, with the exception of saving and batch processing in the standalone application.

Demo mode

After 10 days, RX 5 Audio Editor will go into Demo mode. In Demo mode, RX 5 Audio Editor is limited to 30 seconds of continuous playback.

Serial number

Each purchased copy of RX 5 Audio Editor contains a unique serial number to authorize your product.

If RX 5 Audio Editor has been downloaded directly from iZotope or another re-seller, the serial number will be emailed to you, along with the link to download the product. The serial number should resemble:

SN-RX5-XXXX-XXXX-XXXX-XXXX

Instructions on how to use this serial number to authorize are outlined in this chapter.

Authorizing your copy of RX 5 Audio Editor online

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Launching the Authorization Wizard

The first time you open the RX 5 Audio Editor standalone application or plug-in, the Authorization Wizard will appear.

You can choose to either click Authorize to authorize RX 5 Audio Editor, or instead click Continue to use it in Trial mode for evaluation purposes. Please use your supplied RX 5 Audio Editor serial number to fully authorize your product.

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After opening RX 5 Audio Editor and launching the Authorization Wizard, perform the following steps to complete the authorization process online:

1. Click on 'Authorize.'
2. Enter the serial number, using all capital letters, as it is shown in the purchase confirmation email. SN-RX5-XXXX-XXXX-XXXX-XXXX
3. You must also enter your name and a valid email address.
4. Note: Clicking the Advanced button reveals a set of options that allow you to store your RX 5 Audio Editor authorization on a portable hard drive or flash drive. More detail can be found at www.izotope.com/en/support/authorization/
5. Please make note of the email address you use to authorize your license, as your license and iZotope account will be linked directly to this email address.

   When you have confirmed that your serial number and email information is accurate, click once more on 'Authorize.'

6. Click on 'Submit' to send your authorization information to iZotope.
7. Once the authorization is accepted, click on the Finish button to complete the authorization.

Authorizing your copy of RX 5 Audio Editor offline

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Some customers choose to keep their audio workstations offline; for these instances, a simple offline authorization option has been included.

After opening RX 5 Audio Editor and launching the Authorization Wizard, the following steps will complete the authorization process offline:

1. When first prompted to authorize RX 5 Audio Editor, click on 'Authorize.'
2. Click on the option for 'Offline Authorization' at the bottom of the authorization window.
3. You will be given a unique Challenge Code that is specific to your computer only.

1. Write down or make a copy of the exact Challenge Code. It will look like this: IZ-RX5-XXXXXXXX-XXXX-XXXX
2. Next, using a system with Internet access, login to your customer account at the iZotope website: www.izotope.com/en/account/log-in/
3. Click on 'Activate Software with a Serial Number,' enter your full serial number, then click 'Submit.'
4. Select the 'Challenge/Response option and click on 'Submit.'
5. Enter your full Challenge Code copied in step 3.
6. After submitting your Challenge Code, you will receive a unique authorization file named 'iZotope_RX_5_Audio_Editor_xxxxx.izotopelicense.' Copy this file to your offline computer.
7. Once the authorization file is copied to your offline computer using a network, hard drive, or USB thumb drive, click the Choose File.. button in your authorization wizard.
8. Navigate and select the authorization file and click 'Next' to authorize your machine.
9. You should now receive a message that your authorization has been successful, you may click 'Finish' to begin using RX 5 Audio Editor.

iLok Support

RX 5 Audio Editor supports the iLok copy protection system.

The plug-in will be able to detect iLok keys and assets if you already use iLok and PACE software on your system.

If you don’t already have PACE or iLok, we will not install any PACE or iLok software to your system, and iLok authorizations will be unavailable.

Authorizing RX 5 Audio Editor with iLok

1. When first prompted to authorize RX 5 Audio Editor, click on 'Authorize.'
2. Next, enter the serial number in all capital letters as it is shown on the included card or purchase confirmation email.

1. This would look something like: SN-RX5-XXXX-XXXX-XXXX-XXXX
2. You must also enter your name and a valid email address. Make note of the email address you use to authorize your license. Your license and iZotope account will be linked directly to this email address.
3. Select 'Use iLok Authorization' and enter your iLok ID.
4. When you have confirmed that all your information is accurate, click once more on 'Authorize.'
5. Lastly, click on 'Submit' in order to send your authorization message to the iZotope servers.
6. You will now be instructed to log in to your iLok account and transfer your RX 5 Audio Editor license to your iLok.
7. When you have completed this step and have your iLok connected to the computer on which you want to use RX 5 Audio Editor, click 'Next.'
8. You should now receive a message that your authorization has been successful and may click 'Finish' to begin using RX 5 Audio Editor.

Removing your current authorization

Use the Remove Authorization button in the RX 5 Audio Editor’s Auth & Updates tab within the Preferences to remove your current RX 5 Audio Editor authorization.

After removing your authorization, RX 5 Audio Editor’s authorization screen will pop up when you restart the program. Now you can re-authorize using a new serial number. You may also remove your authorization at any time in order to run in Trial or Demo mode.

How to contact iZotope Customer Care

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For additional help with authorizing RX 5 Audio Editor:

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• Check out the Customer Care pages on our web site at www.izotope.com/support
• Contact our Customer Care department at support@izotope.com

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More information on iZotope’s Customer Care department and policies can be found in the iZotope Customer Care section.